Erik Beehn
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Work > Recent Work (2016-2019)
Recent Work (2016-2019)
The Back of A Giant (EK Spectrum) - Installation view (1)
2016
Solvents and Pigmented Ink directly on the wall
52 inches x 45 feet
2016
Solvents and Pigmented Ink directly on the wall
52 inches x 45 feet
Installation view from the exhibition She Loves Me, She Loves Me Not, in the Tatem Arts Center at Hood College in Frederick Maryland, September 2016.
This piece was made by erasing an enlarged reproduction of an Ellsworth Kelly Spectrum. The print was erased using solvents until it stained the wall, the print was then removed to leave the stain of the ink.
This piece was made by erasing an enlarged reproduction of an Ellsworth Kelly Spectrum. The print was erased using solvents until it stained the wall, the print was then removed to leave the stain of the ink.
The Back of A Giant (EK Spectrum) - Installation view (detail)
2016
Solvents and Pigmented Ink directly on the wall
52 inches x 45 feet
2016
Solvents and Pigmented Ink directly on the wall
52 inches x 45 feet
Installation view from the exhibition She Loves Me, She Loves Me Not, in the Tatem Arts Center at Hood College in Frederick Maryland, September 2016.
This piece was made by erasing an enlarged reproduction of an Ellsworth Kelly Spectrum. The print was erased using solvents until it stained the wall, the print was then removed to leave the stain of the ink.
This piece was made by erasing an enlarged reproduction of an Ellsworth Kelly Spectrum. The print was erased using solvents until it stained the wall, the print was then removed to leave the stain of the ink.
The Back of A Giant (EK Spectrum) - Installation view (1)
2016
Solvents and Pigmented Ink directly on the wall
52 inches x 45 feet
2016
Solvents and Pigmented Ink directly on the wall
52 inches x 45 feet
Installation view from the exhibition She Loves Me, She Loves Me Not, in the Tatem Arts Center at Hood College in Frederick Maryland, September 2016.
This piece was made by erasing an enlarged reproduction of an Ellsworth Kelly Spectrum. The print was erased using solvents until it stained the wall, the print was then removed to leave the stain of the ink.
This piece was made by erasing an enlarged reproduction of an Ellsworth Kelly Spectrum. The print was erased using solvents until it stained the wall, the print was then removed to leave the stain of the ink.